nerocraft.blogg.se - Panolapse pricing

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I’ll show you my equipment and recording software. This first part is about recording the time lapse with a DSLR camera.

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I shot a little making-of about my new film series “Timelapsed – A tribute to Koyaanisqatsi”. Time-lapse footage was taken over a period of two years to capture the beauty of Amsterdam in stunning images.

Amsterdam – My Home 4K | Timelapse Film – Albert Dros (2020)Īn absolutely worth seeing time-lapse film by the photographer Albert Dros about Amsterdam.

In episode 01 you will find recordings about Bad Mergentheim and Erlangen. The first episode of my new time-lapse film series “TIMELAPSED – A tribute to Koyaanisqatsi” pays homage to the great artist Godfrey Reggio, who revolutionized slow motion and time-lapse technology with his films.

TIMELAPSED – A tribute to Koyaanisqatsi – Episode 01 – Five-Birds Photography (2020).

The absence of dialogues and actors is extraordinary, the film consists exclusively of assembled, associative slow motion and time-lapse image sequences of cities and many natural landscapes in the United States and the music composed by Philip Glass and tailored exactly to the images. Koyaanisqatsi is an experimental film and the first part of Godfrey Reggio’s Qatsi trilogy, which deals with human intervention in nature and, more generally, critical of civilisation with the human way of life.ˈkɔɪjɑːnɪsˌkatsi Reggio was inspired by the philosophy of Leopold Kohr. However, the image must be saved during this time. The blacktime is the time when the camera does nothing. Observe the relationship between exposure time, black time and interval! Exposure time always less than the interval minus select the black time.

At an interval of 30 seconds, a 10-second film sequence (250 frames) requires a recording time of approximately 125 minutes.Sequences with subjects that require long exposure (stars) At an interval of 10 seconds, a 10-second film sequence (250 frames) requires a recording time of approximately 41 minutes.Slow objects, high, slow clouds, sunset, sunrise.At an interval of 5 seconds, a 10-second film sequence (250 frames) requires a recording time of about 20 minutes.Visible moving clouds, people, moving objects, vehicles.At an interval of 2 seconds, a 10-second film sequence (250 frames) requires a recording time of approximately 8 minutes.At an interval of 1 second, a 10-second film sequence (250 frames) requires a recording time of about 4 minutes.Attention: Here the triggers are already reached their limits! Only very special cases (such as fast moving people, auroras, distances in the car).Interval in the camera’s interval meter or on the external intervalometer.Focus on the subject – > then turn off AF! Turn off the image stabilizer!.Set fixed white balance (NOT on automatic!.

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Set fixed exposure time, fixed ISO and fixed aperture (tip: use as long exposure times as possible, possibly gray filters during the day).

Search for location, mount camera on the tripod, align the subject.

Possibly external accessories (interval trigger) necessary.

MAGIX, DaVinci, PremierePro, After Effects) required to produce a film.

LRTimelapse) or assemble the frames required to a film (e.g.

Post-processing of the sequences in special timelapse programs (e.g.

Changes to exposure time, aperture and ISO are still possible during recording (important e.g.

Most creative possibilities through subsequent editing (RAW recommended!).Best possible control of image quality.If you like it quickly and want to edit as little as possible later, you can take the images in JPEG format, who wants to be as creative as possible and want to achieve the best possible quality, photographed in RAW format.

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If your camera doesn’t have a time-lapse movie function, you’ll need to capture the images individually.